“B-OWND” Opens a New Gallery at “TOFROM YAESU” in Tokyo’s Yaesu District
KOGEI Topics VOL.33

We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.33
Featured Exhibitions & Events VOL.70
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Based in Kyoto Prefecture, Choraku Ogawa IV is a ceramic artist and the fourth-generation head of Choraku Kiln, an independent lineage distinct from the Raku family that nevertheless preserves the traditional techniques of Raku ware. Having studied sculpture at university, he places particular emphasis on materials and continues to explore the diverse possibilities of Raku ware. Alongside traditional Red Raku and Black Raku, his work encompasses his own interpretations and developments of techniques such as Yakinuki (direct-flame firing) and Aigusuri (indigo glaze). While keeping tea ceramics at the heart of his practice, he also actively pursues collaborations across different artistic disciplines.
Raku ware is born from the meeting of clay, hands, and fire, with each tea bowl fired individually in its own kiln. Even as he carries forward this tradition, Choraku Ogawa IV approaches the world around him with a keen sensitivity, continually seeking his own artistic expression. When his accumulated experience and sensibility take shape, it is the flames of the kiln that determine the final outcome. Brought to life through a dialogue with nature, his works pave the way for a new expression of beauty.
Born in Kyoto, the eldest son of Choraku Ogawa III
Began his career as a ceramic artist after graduating from Nagoya Zokei University of Art & Design, where he studied sculpture, and the Industrial Technology Center of the Kyoto Municipal Institute of Industrial Technology and Culture
Conducted lecture and workshop in Johannesburg, South Africa
Participated in exhibitions of Kyo-yaki (Kyoto ware) in Cologne, Germany, and Paris, France
Participated in “Kyo-yaki: The Inheritance of Technique and Beauty” at the Sagawa Art Museum
Constructed large kiln for firing large-scale works in Red Raku and Black Raku ware
Created an installation inspired by the Rinpa school of Japanese art at Ryosokuin, a sub-temple of Kenninji Temple in Kyoto
Created an installation inspired by the painter Jakuchu Ito at the same venue
Hosted exhibition, lecture, and tea gathering at Portland Japanese Garden, Oregon, USA
Collaborated with Ikebana (Japanese flower arranging) and Noh theater artists at Heian Shrine, Kyoto
Held solo exhibition, “Beyond the Flame,” at kajitsu, New York, USA
On May 5, received honorary name Muinken and formal name Choraku from Taigan Kobori, Chief Abbot of Kenninji Temple, and formally succeeded his father as Choraku Ogawa IV
Began series of solo exhibitions across Japan, starting with exhibition in Kyoto commemorating his succession as the fourth-generation Choraku


