What is Traditional Craft?
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.3

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.3
KOGEI Topics VOL.20
New Products VOL.19
Exhibition • Event Report VOL.27 AD
Kyoto
Jul 25 – Aug 6, 2025
Kyoto yamahon
Jul 26 – Aug 2, 2025
Galerie Houkivoshi +g
Jul 26 – Aug 11, 2025
Shinmachi Building
Tokyo
Jul 30 – Aug 5, 2025
Daimaru Tokyo
A ceramic artist from Ehime Prefecture. Inspired by Rokuro Nakamura’s tokkuri (sake flasks), he entered the world of ceramics. After training in Bizen and Shigaraki, he moved to Izumo, Shimane Prefecture, where he established his own kiln and set up an independent practice. While serving as the head priest of a temple, he dedicated himself to ceramics. His works are characterized by totai-shikki (ceramic lacquerware), where he applies lacquer to ceramics, affixes silver foil, and then fires them, creating a unique and distinctive texture.
The beautiful expression created by the combination of lacquer and silver foil. It carries a sense of both calm and intensity, existing in a way that gently resonates with the viewer’s innermost emotions. Perhaps the reason people are naturally drawn to the works of Masaaki Iwasa lies in the artist’s way of life, living in a temple and capturing the small, beautiful moments of everyday life in his heart.
Born in Ehime Prefecture
Graduated from Bizen Pottery Center
Trained in Bizen and Shigaraki
Established kiln in Izumo City, Shimane Prefecture
Runner-up Prize, the 39th Tanabe Museum of Art Award “Tea Ceremony Ware Exhibition
TOKI Oribe Grand Prize, “the 14th Exhibition of Contemporary Ceramics for the Tea Ceremony”
Held solo exhibition at Terada Bijyutsu