“Craft Competition in Takaoka, Tokyo Exhibition” Will Be Held in Marunouchi
Featured Exhibitions & Events VOL.51

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.51
New Products VOL.23
KOGEI Topics VOL.25
Featured Exhibitions & Events VOL.50
Dec 9, 2025 – Mar 1, 2026
National Crafts Museum
Dec 13, 2025 – Mar 8, 2026
Aichi Prefectural Ceramic Museum
Dec 13, 2025 – Mar 22, 2026
Kikuchi Kanjitsu Memorial Tomo Museum
Dec 18 – Dec 27, 2025
GOOD DESIGN Marunouchi
Humans cannot live in the soil. This is because there is no oxygen, and they cannot breathe. While this is an entirely obvious fact, at the same time there are also organisms that survive in environments without oxygen. Many of those are bacteria or microorganisms, and they exist in the earth or in the ocean. In Japanese these organisms are called kenki-sei seibutsu (anaerobic organisms).
Takashi Tanimoto’s work “Kenki-teki” (literally, “anaerobic”) is a work inspired by those kenki-sei seibutsu. For a ceramic artist, clay is an indispensable material in the creative process. This piece, created under the theme of “deep breath,” reflects the artist’s ongoing engagement with clay. Made with Iga clay and feldspar, the piece was repeatedly fired, resulting in a form that exudes a dense, heavy quality, as if almost entirely disconnected from oxygen. One might imagine that this is what an anaerobic organism could look like if enlarged.
At the same time, firing is itself a chemical reaction with oxygen. The mass of clay, inspired by anaerobic organisms, comes into contact with oxygen in the kiln, either bonding with it or separating from it, transforming, and ultimately giving birth to the piece. Despite being “Kenki-teki”, it presents a striking contrast that evokes the presence of oxygen, adding a fascinating subtext of deeper meaning. As one gazes at it, one feels an unexpected urge to take a deep breath. It is a work that inspires such a response.
