Nakagawa Masashichi Shoten Redefines “How Craft Should Conclude” – Launches Circular Craft Program Alongside B Corp Certification
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.25
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Dec 6 – Dec 14, 2025
juroku garo
Dec 9, 2025 – Mar 1, 2026
National Crafts Museum
Dec 12 – Dec 27, 2025
HULS GALLERY TOKYO
Dec 13 – Dec 28, 2025
GALLERY crossing

Mr. Nomura was born and raised in Toyama prefecture. When he moved and settled in Takaoka city, he frequently visited Takaoka Art Museum and that is when he discovered traditional craft works of Takaoka. He was especially attracted to lacquerware decorated with “raden” (mother-of-pearl inlay) and that attraction had made him thought about making it himself. Although his earlier career was far from craftwork, he joined Amano Shikki Co., Ltd. in 2010 and became an artisan of urushi-lacquer painting. Within the encouraging environment of the company that offers technical assistance to inexperienced employees, his talent and potential for handcrafted work bloomed. Mr. Nomura is mainly in charge of a production process called “kaimuki” which means “shell scraping”. This is one of many parts of stages that are required in the process “aogai-nuri”, a lacquering technique which features decoration of “raden”. Scraping off the urushi-lacquer painted over the decoration along the patterns of placed shells is a work which requires great care but the tension eventually turns into a sense of joy. “ I am in awe when I see that beautiful patterns of shells come out from under the deep black lacquer while I scrape the surface,” says Mr. Nomura. Facing the mysterious beauty of “raden”, he hopes the tradition of Takaoka lacquerware will continue for all time.
