The Publication of “Discover, Acquire, Enjoy – The Excellent Sake Ware”: A Special Issue of the Quarterly Journal “Honoho Geijutsu” or “The Art of Fire”
KOGEI Topics VOL.26

VOL.1-26
Update
VOL.1-52
Update
VOL.1-4
Update
VOL.1-23
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-7
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.26
Featured Exhibitions & Events VOL.52
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.4
Featured Exhibitions & Events VOL.51
Jan 6 – Mar 10, 2026
The Japan Folk Crafts Museum
Jan 31 – Mar 15, 2026
Museum of Modern Ceramic Art, Gifu
Feb 7 – May 24, 2026
TOYOTA CITY FOLK CRAFT MUSEUM
Feb 14 – Mar 15, 2026
Fukui Fine Arts Museum
Ceramic artist born in Chiba Prefecture. Yu apprenticed under Goro Suzuki and later became an independent ceramic artist based in Mino, Gifu Prefecture. After gaining experience in various crafts such as furniture and musical instrument making, he became attracted to the depth of ceramics and now pursues the unique charm of Mino ware, focusing especially on expressing the texture of Ki-Seto, which is said to be highly difficult to achieve. He produces works that take full advantage of the diverse characteristics of Mino clay, which he seeks out and digs himself.
It is precisely because something is complex and challenging that it is worth pursuing for the entirety of one’s life. Mino ware, which offers a variety of styles worthy of special mention, is the spark that ignites Yu Nishioka’s spirit of pursuit. The works he creates in search of an expression different from others seem to convey the passionate spirit of this artist who continues to push the limits of these challenging ceramics.
Born in Chiba Prefecture
Graduated from Ceramics Vocational Training Institute of Aichi Prefecture
Apprenticed under Goro Suzuki
Established independent practice in Ena, Gifu Prefecture
Constructed a wood-fired toen-shiki (down-draft) kiln utilizing the inverted flame method

