“The 20th Paramita Ceramic Art Grand Prize Exhibition” Will Be Held
Featured Exhibitions & Events VOL.57

VOL.1-57
Update
VOL.1-27
Update
VOL.1-29
Update
VOL.1-8
Update
VOL.1
Update
VOL.1-4
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.57
Featured Exhibitions & Events VOL.56
Featured Exhibitions & Events VOL.55
New Products VOL.27
May 16 – May 31, 2026
GALLERY crossing
May 20 – May 26, 2026
Nagoya Sakae Mitsukoshi
Osaka
May 22 – May 28, 2026
Atelier Hiro
May 23 – May 28, 2026
GINZA KURODA TOUEN
The gentle pale yellow surface of this tea bowl calls to mind a piece of abura-age, a kind of soft fried tofu, and indeed is often called “aburage-de” – an ideal expression for this “Ki-Seto Tea Bowl” by Yu Nishioka. With its thin base, thinly applied glaze, softly splashed green of the modest decorative “tanpan” green copper, and koge scorch marks visible on the kodai (foot) of the bowl as proof that it has been well fired, this exquisite bowl has a well-balanced beauty.
Ki-Seto ware, a style of ceramics which originated in Mino during the Momoyama period (1573-1603), is made by applying an ash glaze to the base in oxidation firing. It is considered extremely difficult to successfully bring out the texture of aburage-de; even with the utmost attention to the thickness of the base and glaze, firing temperature, humidity, and other factors, this texture can only be achieved in a limited area within the kiln. Perhaps because of these demanding conditions, few artisans today are taking on the challenge of producing genuine Ki-Seto works. For Yu, however, that complexity and challenge is precisely the reason for his fascination with ceramic making. His works are now attracting a great deal of attention as he works day and night in pursuit of the ideal expression of Ki-Seto ware.

