Satsuma Kiriko Old Fashioned Glass, Indigo

Glass

Craft Company: Satsuma Vidro Artcrafts

ORIGIN: Satsuma, Kagoshima Prefecture
SIZE: Φ75 × H88 mm (280ml)
MATERIAL: Crystal glass

The brilliance of Satsuma revived

The unparalleled vivid colors of Satsuma Kiriko faceted glasswork, which once ceased to exist amidst the upheaval at the end of the Edo period (1603 – 1868), have now been brought back to life through the skill and passion of modern craftsmen. The glass possesses a comfortable weight when you hold it in your hand, while the deep indigo color that seems to ooze out from the glass is engraved with intricate traditional patterns. Its dignified presence that shines in the light will never fade away.

Related Contents

RESOURCE

Satsuma Kiriko
- Generic term
A generic term for faceted glasswork produced in the Satsuma domain (today’s Kagoshima Prefecture) during the late Edo period (1853 – 1868). It is characterized by a series of color gradations called “bokashi” arising from the cutting of the glass. The gradations are created by hand-cutting patterns into “iro–kise glass,” which itself is formed as a thick layer of colored glass overlaid on transparent glass. Although production of this type of glass had once been discontinued, it is now being brought back.
Crystal glass
- Material
Glass to which lead oxide is added to remove impurities such as iron oxide. Crystal glass is characterized by high transparency, high reflectivity and refractive index, and a beautiful shine. It is often used for high-grade glassware and artistic crafts, and its brilliance enhanced by faceting and other decorations. Crystal glass is heavier than ordinary glass and produces a clear metallic sound when struck.

KOGEI STANDARD Japanese Crafts Online Media

Exhibition • Event Report

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

VOICE

KOGEI Topics

The Art of Appreciating Tea Bowls

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

New Products

KOGEI & Me

Editor's Column "Craft Production Regions"

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

Report on “The Future of Artisanal Beauty: Vessels, Wrappings, Decorations”

“ART JOB FAIR” Returns for Third Edition: Exhibitor Applications Now Open

Enjoy the Charm of Fukawa-Hagi at a Hot Spring Resort This Fall: “Utsuwa no Aki vol.05” at Nagato Yumoto Onsen Will Be Held

“GO FOR KOGEI 2024” to Showcase New Crafts from Hokuriku

Exhibition Information

half way: Ryotaro Kato Exhibition

Shoko Ozawa Exhibition

Kiyokazu Tsuda: Glassworks

Natsumi Iino × Yuki Nishiyama × Chiemi Ogura Exhibition

Articles by Series

Exhibition • Event Report

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Satsuma Kiriko Old Fashioned Glass, Indigo

The brilliance of Satsuma revived

Kokusho Zuikan Vase

Blue Utakata Container

Furidashi Sweets Container, Indigo

Cut Glass Frame, Diamond Shape

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

half way: Ryotaro Kato Exhibition

Shoko Ozawa Exhibition

Kiyokazu Tsuda: Glassworks

Natsumi Iino × Yuki Nishiyama × Chiemi Ogura Exhibition

Articles by Series

Exhibition • Event Report

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

The brilliance of Satsuma revived

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA