GO FOR KOGEI to Present an Exhibition Concurrent with La Biennale di Venezia
Featured Exhibitions & Events VOL.54

VOL.1-54
Update
VOL.1-29
Update
VOL.1-8
Update
VOL.1-26
Update
VOL.1
Update
VOL.1-4
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.54
KOGEI Topics VOL.29
KOGEI Topics VOL.28
VOICE VOL.8
Apr 17 – Apr 28, 2026
Tosei Kyoto Gallery
Apr 18 – Apr 26, 2026
Gallery & Chanoyu RIGAN
Apr 18 – Apr 26, 2026
TOBETOBEKUSA
Tokyo
Apr 24 – Apr 29, 2026
Ginza Nichi-Nichi
“Utsushi” (“Replication”) is not only a generous tribute to the original piece, but also a remarkable expression of the artist’s determination to express the beauty of that work through his own skill and sensitivity.
This “White Raku Tea Bowl, Fujisan” is a replication of the original “White Raku Tea Bowl, Fujisan” by Hon’ami Koetsu, a well-known master of culture and art of the Momoyama period (1573-1600). Hon’ami’s “White Raku Tea Bowl, Fujisan,” which is designated a Japanese National Treasure, is a precious masterpiece. Hideki loves many works from the Momoyama period and has been steadily refining his work by creating replicates of these masterpieces.
The white glaze turns black with carbonization, giving this tea bowl an appearance known as katami-gawari (literally, “one-sided switch”), and as the name of the work suggests, it is reminiscent of beautiful Mt. Fuji. The glossy black and white, the fine kan-nyu crackle, and the sheer shape together reveal the Japanese sense of beauty that has remained unchanged since the time of Koetsu. Hideki’s works, created by respectfully examining the masterpieces of the past, are gems sure to evoke new feelings in those who view them.

