Japan House London Hosts the Exhibition “Hyakkō: 100+ Makers from Japan”
Featured Exhibitions & Events VOL.52

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.52
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.4
Featured Exhibitions & Events VOL.51
New Products VOL.23
Jan 6 – Mar 10, 2026
The Japan Folk Crafts Museum
Jan 31 – Mar 15, 2026
Museum of Modern Ceramic Art, Gifu
Feb 7 – May 24, 2026
TOYOTA CITY FOLK CRAFT MUSEUM
Feb 14 – Mar 15, 2026
Fukui Fine Arts Museum
A glass figurine shaped by gentle, softened contours. Standing quietly, the figure tilts its small head slightly, gazing toward us with a sense of quiet curiosity. And yet, to say it is “gazing” is only an impression. There are no clearly defined facial features, no sharp lines or edges. What emerges instead is a feeling formed in the moment of encounter. What one senses from this work is left lightly to the viewer, carried through its atmosphere and the air it seems to hold. There is a quiet comfort in that openness.
Glass is, by its nature, a hard material. Yet this figure appears as though it has retained the softness of molten glass in the very act of being shaped. Holding such two opposing qualities at once is a hallmark of Takeyoshi Matsui’s work. The subdued tones of the glass, together with the way light passes through it and its subtle variations in thickness, gently reflect the surrounding air and the flow of time. Through this piece, the artist evokes the ambiguous presence of a “person,” using a form that deliberately avoids excessive explanation.
“Bottle People” does not assert itself when placed within everyday life. It simply continues to exist, quietly, leaving a soft and lingering resonance. As time flows on, it remains quietly close to the viewer, gently releasing each person’s imagination.

