Nakagawa Masashichi Shoten Redefines “How Craft Should Conclude” – Launches Circular Craft Program Alongside B Corp Certification
KOGEI Topics VOL.25

VOL.1-25
Update
VOL.1-50
Update
VOL.1-22
Update
VOL.1-3
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-7
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.25
Featured Exhibitions & Events VOL.50
KOGEI Topics VOL.24
New Products VOL.22
Dec 6 – Dec 14, 2025
juroku garo
Dec 9, 2025 – Mar 1, 2026
National Crafts Museum
Dec 12 – Dec 27, 2025
HULS GALLERY TOKYO
Dec 13 – Dec 28, 2025
GALLERY crossing
Flowing curves cast shadows on the transparent surface of this seihakuji porcelain, revealing subtle color gradations in the icy, blue-white glaze. Behind this dignified appearance lies the artist’s relentless pursuit of beauty.
Hiroshi Taruta is a young ceramic artist who has been working and studying diligently in Seto, Aichi Prefecture, a city that has flourished as a center for pottery since ancient times and is now home to a wide variety of artists. Fascinated by the whiteness of porcelain and the image of a ray of light shining through the clouds, he strives to create works that express his vision of beauty. The flowing lines of his “hotaru-de” technique are one of his characteristic motifs, born out of his quest to express that vision. This vase gives us a glimpse of what the young artist is aiming for when he talks about his dream of creating a first-class work of art.
Without a doubt, he is an artist from whom we can expect more great things in the future.
