“Sonnenglas® EN” Unveiled: A Lantern Integrates Suruga Bamboo Basketry and Solar Technology
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
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Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
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May 21 – Jun 2, 2025
Nihonbashi Mitsukoshi
May 22 – Jun 1, 2025
Seiko House Hall
May 23 – May 28, 2025
Ginza Nichi-Nichi
May 24 – Jul 13, 2025
Sakura City Museum of Art
Shigaraki ware fired during the Middle Ages, known as “Ko-Shigaraki” (“Old Shigaraki”), still retains the unique presence of the time. The aesthetic of the potters of that era embodied in these pieces remains as vibrant and enduring as ever. How can we express this “consciousness of ceramics,” as it might be called, in today’s spaces? Shigaraki ceramic artist Q Tani faces this question every day, attempting to create ceramics with the same perspective as the potters of the Middle Ages.
This piece, Shigaraki Tea Bowl, is a bowl that draws attention with its round shape and the contrast of light and dark colors. It is fired in an ana-gama (cave kiln) and placed in a box called a saya, which is designed to control the way the colors emerge. The surface of the bowl reveals feldspar typical of Shigaraki ware, conveying its texture in a simple, unadorned manner, and its thin, large, round shape fits well in the hand. The kodai or foot is pressed with a finger after separating the bowl from the turning wheel, adding an interesting nuance. Primitive yet modern, rough yet refined, the piece evokes a mysterious feeling, as if it contains contradictory elements simultaneously. It is a fine work that makes you believe there is a unique atmosphere that only this piece can emit.