Tanmoku Plate, Samidare

Lacquerware

Craft Company: Komai Shikki

ORIGIN: Takaoka, Toyama Prefecture
SIZE: Φ240 × H20 mm
MATERIAL: Horse chestnut, lacquer

Traces of early summer rain

This wooden plate, named “Tanmoku-zara,” was inspired by one of the traditional techniques of Takaoka lacquerware, in which pieces are engraved and lacquered. A metal craftsman engraves delicate hammered patterns with exquisite care on a 100-year-old horse chestnut tree shaped by a woodturning craftsman with a plane and a rokuro, or spinning lathe. When raw lacquer is applied over the wood, shadows appear like traces of rain on the grain of the wood. This beautiful piece, made through the skillful collaboration of artisans in Takaoka, a town known for its lacquer and metal crafts, has the warmth of handiwork in their elegant appearance.

Related Contents

RESOURCE

Chokoku-nuri
- Technique
This is one of the most representative techniques of Takaoka lacquerware, and is attributed to Tanpo Tsuji, a master craftsman of the mid-Edo period (1603-1868). The technique involves applying colored lacquer over a pattern carved into the wood, which creates a three-dimensional effect and shading and gives it a unique luster.
Takaoka lacquerware
- Generic term
A generic name for lacquerware produced in Takaoka, Toyama Prefecture. It began in the early Edo period (1603-1868) under Toshinaga Maeda, lord of the Kaga domain (now Toyama Prefecture). Later, the tsuishu and tsuikoku techniques were introduced from China, and a variety of new techniques were created. The most representative of those include aogai-nuri, a type of mother-of-pearl inlay that uses thinly shaved shells; yusuke-nuri, characterized by its Chinese style design; and chokoku-nuri, characterized by its three-dimensionality and the luster of colored lacquer.
Tankin (Forging)
- Technique
A metalworking technique in which a hammer or wooden mallet is used to shape a sheet or ingot of metal, such as gold, silver, iron, or copper, by hammering or bending.
Hikimono (Woodturning)
- Classification
- Technique
A technique to carve round shaped tableware by putting a dried lumber on a spinning lathe and applying a turning tool like a chisel to it. Products made by using this technique include bowls and round trays.
Fuki-urushi (Wiping lacquer)
- Technique
A technique whereby raw lacquer is applied and then wiped off repeatedly with a cotton cloth. Also called suri-urushi. It makes it possible to show the texture and beautiful grain of the wood while giving strength to the vessel.

KOGEI STANDARD Japanese Crafts Online Media

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

VOICE

KOGEI Topics

The Art of Appreciating Tea Bowls

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

Exhibition • Event Report

New Products

KOGEI & Me

Editor's Column "Craft Production Regions"

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

“ART JOB FAIR” Returns for Third Edition: Exhibitor Applications Now Open

Enjoy the Charm of Fukawa-Hagi at a Hot Spring Resort This Fall: “Utsuwa no Aki vol.05” at Nagato Yumoto Onsen Will Be Held

“GO FOR KOGEI 2024” to Showcase New Crafts from Hokuriku

Fudo: Culture and the Landscapes of Japan

Exhibition Information

“Ganpuku”: A Feast for the Eyes – The Seikado’s Tea Utensil Treasures with Masterpieces of Former Daimyō Collections

“Bowls of Connections” – A Solo Exhibition by Shinji Terauchi of Riso Porcelain

Momoo Omuro, Ryotaro Kato, Masaru Kawai, Seikichi Hasegawa Exhibition

Takao Togashi, Haruka Kikuchi Exhibition

Articles by Series

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

VOICE

Tanmoku Plate, Samidare

Traces of early summer rain

Uneri54: Sake Server and Hexagonal Sake Cup, Tame

Nine Small Pieces of Chocolate Bonbonniere

Plate of the Sun

Cup "Hiutsuri"

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

“Ganpuku”: A Feast for the Eyes – The Seikado’s Tea Utensil Treasures with Masterpieces of Former Daimyō Collections

“Bowls of Connections” – A Solo Exhibition by Shinji Terauchi of Riso Porcelain

Momoo Omuro, Ryotaro Kato, Masaru Kawai, Seikichi Hasegawa Exhibition

Takao Togashi, Haruka Kikuchi Exhibition

Articles by Series

Featured Exhibitions & Events

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

VOICE

Traces of early summer rain

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA