“Ceramic Resonance,” a Special Exhibition Where the Ceramic Expressions of 15 Artists from All over Japan Resonate with One Another Will Be Held at Bizen City Museum of Art
Featured Exhibitions & Events VOL.70

We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.70
Featured Exhibitions & Events VOL.69
Featured Exhibitions & Events VOL.68
Featured Exhibitions & Events VOL.67
Oct 9 – Oct 13, 2026
AXIS Gallery
Oct 10 – Oct 18, 2026
courage de vivre
Oct 9 – Oct 24, 2026
HULS GALLERY TOKYO
Oct 10 – Dec 20, 2026
Bizen City Museum of Art
Katsuji Kamata, a nushi lacquer artist based in Wajima, Ishikawa Prefecture, employs a technique known as dry lacquer or kanshitsu to create light and dynamic shaped vessels. Kanshitsu involves layering hemp cloth with lacquer over a mold, allowing for free-form creativity. Historically used for making Buddhist statues and currently for creating art pieces, it is rarely applied to the production of daily-use items. Katsuji aims to create lacquerware that harmonizes with modern dining tables and enhances the food, handling the entire process from mold making onwards.
The gentle curves extending from the rim to the spout of the katakuchi sake server reveal the softness that can only be achieved with fabric, not with wood. The hexagonal-shaped guinomi sake cup is astonishingly light, with the smooth feel of lacquer gently and comfortably touching the lips. The understated luster of the deeply layered red lacquer, combined with the thin, refined form, imparts a sense of sophistication.
Inspired by the natural beauty of Wajima, where he has lived for many years, the graceful forms of Katsuji’s work reflect this connection. As you raise a cup, you can appreciate the craftsmanship and feel the connection to the land that nurtures such exquisite lacquerware.


