“KOGEism 2026 – Exposition: Les matériaux et la pensée humaine” Featuring Craft Artists from Japan and France, Will Be Exhibited at AXIS Gallery in Roppongi and Ginza Tsutaya Books
Featured Exhibitions & Events VOL.67

We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.67
Featured Exhibitions & Events VOL.66
New Products VOL.30
New Products VOL.29
Sep 12 – Nov 23, 2026
Mitsui Memorial Museum
Sep 18 – Sep 27, 2026
megumu art
Sep 19 – Sep 27, 2026
Ceramic gallery TOBETOBEKUSA
Sep 19 – Sep 27, 2026
Aizuya
The fires have been burning at Asahi-yaki Kiln, one of the seven kilns of Enshu, in Uji, Kyoto Prefecture, for over 400 years. The 16th generation head of the kiln, Hosai Matsubayashi, has devoted his energies to creating works that express a modern interpretation of “kirei-sabi,” a style that combines the rustic beauty of wabi-sabi with a refined elegance. This aesthetic, favored by the tea master Kobori Enshu and passed down through generations of Asahiyaki, represents the “harmony of dualities” that Hosai XVI strives to portray.
This piece, “Tea Bowl, Geppaku Overglaze with Gold,” is created with traditional Uji clay on potter’s wheel, as white slip and geppaku (“moon white”) glaze are poured and gold decoration applied to its chamfered surface. The way the geppaku glaze melts in the nobori-gama kiln and forms fine kan-nyu crackle over the rustic clay and slip evokes the fresh beauty of hydrangeas, with a translucent pale blue that is simply stunning. Using gold was a challenge for Hosai XVI, but by carefully balancing its application he has succeeded in creating a new form of artistry that blends matte and glossy brilliance. This work is an innovative masterpiece, showcasing a high level of ornate decoration while also expressing an elegant harmony of beauty.


