The Publication of “Discover, Acquire, Enjoy – The Excellent Sake Ware”: A Special Issue of the Quarterly Journal “Honoho Geijutsu” or “The Art of Fire”
KOGEI Topics VOL.26

VOL.1-26
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VOL.1-52
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VOL.1-4
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VOL.1-23
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VOL.1-27
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VOL.1-4
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.26
Featured Exhibitions & Events VOL.52
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.4
Featured Exhibitions & Events VOL.51
Jan 6 – Mar 10, 2026
The Japan Folk Crafts Museum
Jan 31 – Mar 15, 2026
Museum of Modern Ceramic Art, Gifu
Feb 7 – May 24, 2026
TOYOTA CITY FOLK CRAFT MUSEUM
Feb 14 – Mar 15, 2026
Fukui Fine Arts Museum
When you look into this bowl, you see an infinite universe. It is as if a meteor shower is being sucked into the depths of the dark blue sky. At the same time, it looks as if a fantastic, moist glow is radiating from the center of the galaxy – a mysterious and profound expression contained within an awe-inspiring form. This is the entrancing charm of Takeshi Imaizumi’s Tenmoku.
Tenmoku flourished in ancient times, mainly in Kenyo (Jiàn yáo in Chinese) China, and came to be produced in various parts of Japan in the modern era. The beautiful glaze tones produced by the iron glaze and its wide range of expression have attracted many potters and tea connoisseurs.
A mysterious appearance created in the moment when the clay and iron glaze are enveloped in flames and change their forms. The expression created by a contemporary artist melds gently together with a certain longing for the universal beauty that has been prized throughout history. Through this work, I felt as if I could relive the genuine fascination of Tenmoku as pursued by Takeshi.

