Nami, who has studied ceramics in Japan and abroad, aims to express the “beauty of nature’s forms” through her works, which are inspired by fruit and the seeds of plants. There are various techniques for forming ceramics, such as the potter’s wheel and hand-building, but Nami uses the “Ikomi” (casting) method, which uses a mold for forming. The free form of the mold this technique allows, the gentle ridges carved into the curved surface, and the organic correlation between the two create a sense of three-dimensionality and a play of shadows and light. The way they form a single work of art with their seemingly uneven yet exquisite balance is nothing short of magnificent. The whiteness and texture of the porcelain clay goes well with the light, further accentuating the beauty of the shapes and shadows. In this sense, the pearl and platinum glaze works were a new challenge for Nami, but the pearl glaze was soft and the platinum glaze reflected the light powerfully, revealing an appeal different from her previous works. The materials, forms, and textures of her works all contribute to the uniqueness of Nami’s work.