The 9th “KOGEI Art Fair Kanazawa 2025” Will Be Held
Featured Exhibitions & Events VOL.50

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.50
KOGEI Topics VOL.24
New Products VOL.22
KOGEI Topics VOL.23
Nov 15 – Dec 7, 2025
GALLERY SUGATA
Nov 17 – Dec 6, 2025
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Yamanashi
Nov 18, 2025 – Feb 1, 2026
Yamanashi Prefectural Museum of Art
Nov 28 – Dec 7, 2025
SHIBUYA KURODA TOEN

Mix the paint and apply it on the woodblock. Place the Japanese washi (paper) carefully on the block and use the baren (a flat pad) to rub the washi. After these processes and with bated breath, Mr. Noriyasu Soda quickly pulls the washi off from the wood block, on which a beautiful color with deep perspectives appears. “Although it is just transferring colors onto paper, depending on the artisan’s skills, a sense of perspective and composition could be shown on the print. I feel good when the expressions of each color makes perfect balance in a single print”, Noriyasu said with a laugh. After graduating from an art college he had worked in building restoration. However, he was attracted by the history of ukiyo-e which is unique to Tokyo, and subsequently entered Takahashi Kobo, Inc. and worked as a “surishi” or printer. The trust and confidence that the CEO Ms. Yukiko Takahashi has in Mr. Noriyasu Soda has led him to perform printing demonstrations overseas on behalf of the company. There are a variety of techniques of Edo woodblock printing and above all, the gradation technique called “bokashi” is especially difficult where the slightest gap makes the difference between success and failure. Noriyasu said, “I just do my best for what lies right in front of me”. The figure of a craftsman who is sincere in his daily work is reflected in his gentle mien.
