The Winners of the Japan Ceramic Society Awards Have Been Announced
KOGEI Topics VOL.13
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.13
Editor's Column “The Path of Japanese Crafts” VOL.11
KOGEI Topics VOL.12
KOGEI Topics VOL.11
Hokkaido
Apr 16 – Apr 22, 2024
Sapporo Mitsukoshi
Apr 17 – Apr 22, 2024
Nihonbashi Mitsukoshi
Apr 17 – Jun 30, 2024
TOGURI MUSEUM OF ART
Apr 18 – Jun 16, 2024
Mitsui Memorial Museum
Brilliant and colorful painting is one of the most distinctive features of Kutani ware. This beautifully colored porcelain is part of a history that began in a 17th century kiln for the Kaga clan and has since developed mainly in southern Ishikawa Prefecture.
The “Incense Burner – Gold over Colored Painting” is an impressive work with its light, watercolor-like expression. Its creator, Yukio Yoshita, is the fourth-generation head of the Kinzangama kiln, a Kutani ware kiln established in Komatsu, Ishikawa Prefecture in 1906. While continuing to use kinsai, the gold decoration technique that has been the hallmark of the Kinzangama kiln for generations, Yukio has expanded the traditional Kutani ware techniques of color painting, such as gosai-te, by incorporating Western paints to create a new expression.
This seemingly novel expression is supported by a solid tradition. The history of the region, the history of the kiln, and the history of the artist himself have all contributed to the creation of this beautiful world of colors that one cannot help but admire.