“Sonnenglas® EN” Unveiled: A Lantern Integrates Suruga Bamboo Basketry and Solar Technology
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
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Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
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May 9 – May 18, 2025
SHIBUYA KURODA TOEN
May 9 – May 21, 2025
HULS GALLERY TOKYO
Kyoto
May 16 – May 28, 2025
Kyoto yamahon
Tokyo
May 17 – May 22, 2025
GINZA KURODA TOUEN
The Hakeme (literally, “brush marks”) style of tea bowl originated in the Korean Peninsula during the Yi Dynasty. It is said to have been introduced to Japan in the early 17th century and was first fired in Karatsu, Saga Prefecture. It is a simple tea bowl with a dark base that is whitewashed with brushes or straw bundles, however a wide range of decorative effects. Depending on the force of the brush strokes, and the roughness, shade, and strength of the brush work, a wide variety of expressions can be seen.
This “Hakeme Tea Bowl” by Rui Mito is an eye-catching tea bowl with two bold brushstrokes on the front. The vigorous white brush strokes create a great contrast to the black clay, letting us imagine of the mind of the artist who faces the bowl with an open spontaneity. The decoration inside the bowl is modest, but the ishi-haze (stone bursts) that appear from the coarse clay and the small glaze shrinkage add a quaint flavor. The bowl will certainly perfect the color of the tea.
Through this work one can discover new charms of the Hakeme tea bowl.