“ART JOB FAIR” Returns for Third Edition: Exhibitor Applications Now Open
Featured Exhibitions & Events VOL.39
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.39
Featured Exhibitions & Events VOL.38
Featured Exhibitions & Events VOL.37
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.1
Sep 10 – Nov 4, 2024
SEIKADO BUNKO ART MUSEUM
Sep 13 – Sep 28, 2024
HULS GALLERY TOKYO
Sep 14 – Sep 19, 2024
Terada Bijyutsu
Sep 14 – Sep 22, 2024
Aizuya
The Hakeme (literally, “brush marks”) style of tea bowl originated in the Korean Peninsula during the Yi Dynasty. It is said to have been introduced to Japan in the early 17th century and was first fired in Karatsu, Saga Prefecture. It is a simple tea bowl with a dark base that is whitewashed with brushes or straw bundles, however a wide range of decorative effects. Depending on the force of the brush strokes, and the roughness, shade, and strength of the brush work, a wide variety of expressions can be seen.
This “Hakeme Tea Bowl” by Rui Mito is an eye-catching tea bowl with two bold brushstrokes on the front. The vigorous white brush strokes create a great contrast to the black clay, letting us imagine of the mind of the artist who faces the bowl with an open spontaneity. The decoration inside the bowl is modest, but the ishi-haze (stone bursts) that appear from the coarse clay and the small glaze shrinkage add a quaint flavor. The bowl will certainly perfect the color of the tea.
Through this work one can discover new charms of the Hakeme tea bowl.