Japan House London Hosts the Exhibition “Hyakkō: 100+ Makers from Japan”
Featured Exhibitions & Events VOL.52

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.52
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.4
Featured Exhibitions & Events VOL.51
New Products VOL.23
Jan 6 – Mar 10, 2026
The Japan Folk Crafts Museum
Jan 29 – Feb 8, 2026
Seiko House Hall
Jan 30 – Feb 5, 2026
Atelier Hiro
Feb 1 – Feb 6, 2026
Toukyo
The gentle pale yellow surface of this tea bowl calls to mind a piece of abura-age, a kind of soft fried tofu, and indeed is often called “aburage-de” – an ideal expression for this “Ki-Seto Tea Bowl” by Yu Nishioka. With its thin base, thinly applied glaze, softly splashed green of the modest decorative “tanpan” green copper, and koge scorch marks visible on the kodai (foot) of the bowl as proof that it has been well fired, this exquisite bowl has a well-balanced beauty.
Ki-Seto ware, a style of ceramics which originated in Mino during the Momoyama period (1573-1603), is made by applying an ash glaze to the base in oxidation firing. It is considered extremely difficult to successfully bring out the texture of aburage-de; even with the utmost attention to the thickness of the base and glaze, firing temperature, humidity, and other factors, this texture can only be achieved in a limited area within the kiln. Perhaps because of these demanding conditions, few artisans today are taking on the challenge of producing genuine Ki-Seto works. For Yu, however, that complexity and challenge is precisely the reason for his fascination with ceramic making. His works are now attracting a great deal of attention as he works day and night in pursuit of the ideal expression of Ki-Seto ware.

