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Editor's Column "Craft Production Regions" VOL.4 AD

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
Apr 5 – Jun 22, 2025
SEIKADO BUNKO ART MUSEUM
Apr 19 – Nov 24, 2025
The Museum of Oriental Ceramics, Osaka
Apr 26 – Aug 3, 2025
Raku Museum
Apr 29 – May 6, 2025
KYUSHU CERAMIC MUSEUM
Mr. Masanori Soejima is a glass craftsman who carries the next generation of Soejima glassware who excels at free-blown glass without using any mold. And this type of glass called “Hizen Vidro” is unique to the area of Saga. After studying glass making at the university and joining his family business, Mr. Soejima have learned techniques watching his father and seniors. The forming process of free-blown glass by hand requires day-to-day dialogues with heat. He says “Not only a hand dexterity but understanding of heat is also needed in the manufacturing of glass. We can change the form of glass in the air as long as we exactly aware of which part is cold and which part is hot.” While feeling responsibility as a successor of the traditional technique, he has an insatiable inquiring mind and is trying to improve the raw materials and manufacturing process. In spite of busy work without long break to continue operation and keep the fire of the workshop with a small number of skilled staff, he says “ I still do not know much about glass. I want to know about it more and yet more”. Mr. Soejima’s spirit keeps sparkling beautifully.