“ART JOB FAIR” Returns for Third Edition: Exhibitor Applications Now Open
Featured Exhibitions & Events VOL.39
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.39
Featured Exhibitions & Events VOL.38
Featured Exhibitions & Events VOL.37
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.1
Sep 10 – Nov 4, 2024
SEIKADO BUNKO ART MUSEUM
Sep 13 – Sep 28, 2024
HULS GALLERY TOKYO
Sep 14 – Sep 19, 2024
Terada Bijyutsu
Sep 14 – Sep 22, 2024
Aizuya
Yasuko Kamochi and Yumiko Tanaka are in charge of “etsuke” (decorative painting) at Fukujugama in Arita, Saga Prefecture. Even in Arita, which is the famed historical area of porcelain, there are few artisans specializing in etsuke at the present time. Yasuko joined Fukujugama because her sister worked there too. At that time, Arita ware was in high demand. Etsuke is a finely divided work where each painter paints a specific portion. By doing the same work over and over again, she was able to gradually improve on her etsuke techniques. “Precise brush strokes are important for etsuke but I prefer to draw vigorously than to paint within a square”, said Yumiko who had worked for a city office prior to joining Fukujugama. As she learns from her seniors, she remembered about the orderly appearance of “sometsuke” (painting with blue pigment) and overglaze painting. Etsuke is a persistent work, but the voice from customers saying “I like this vessel” gives her a sense of satisfaction. “This job can even be done by amateurs like us, so we think anyone can do it.”, the gentle smile of the two ladies shone through even as they spoke, seemingly symbolizing the softness of etsuke which Fukujugama is good at.