Interview: Ryotaro Kato (Ceramic Artist)
VOICE VOL.7
VOL.1-7
Update
VOL.1-32
Update
VOL.1-16
Update
VOL.1-41
Update
VOL.1-2
Update
VOL.1-26
Update
VOL.1
Update
VOL.1-12
Update
VOL.1-13
Update
VOL.1-3
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Featured Exhibitions & Events VOL.41
Nov 27 – Dec 9, 2024
Nihonbashi Takashimaya
Nov 28 – Dec 8, 2024
Seiko House Hall
Nov 30, 2024 – Feb 2, 2025
The Shoto Museum of Art
Nov 30, 2024 – Mar 16, 2025
Museum of Modern Ceramic Art, Gifu
An agoya tray is a rectangular tray carved in the “interior corners” style in the agoya, a place of practice for Buddhist monks. Masaru Kawai’s agoya tray utilizes traditional design while embodying a beautiful atmosphere that blends seamlessly into modern living spaces. Carefully carved on the four corners of the Japanese cedar masame, straight grain board, it is finished without any coating. The distinct wood grain patterns and the subtle scent of Japanese cedar gently soothe the hearts of those leading busy lives.
Masaru is a woodworker based in Minokamo, Gifu Prefecture, dedicated to promoting the allure of various Japanese woods. With 70% of the country covered in forests, Japan has had a long-standing relationship with wood, which has been an integral part of people’s lives and has shaped the unique cultural heritage of each region. A moment spent experiencing Masaru’s works is a time to engage in a conversation with the trees, allowing for a leisurely contemplation of their value.