White Porcelain Handless Teapot

Ceramics

Craft Company: Riso Porcelain

Craft Artist: Shinji Terauchi

ORIGIN: Arita, Saga Prefecture
RELEASE: 2019
SIZE: φ130mm × H55mm
MATERIAL: Porcelain stone

Today’s Old Imari

This “hohin” handless teapot was hand-crafted on a potter’s wheel by the head of Riso Porcelain, Shinji Terauchi himself. The white porcelain, which he developed through painstaking research into Ko-Imari or Old Imari style, appears as soft as a lightly cloudy sky, and fits comfortably in the hand. This masterpiece’s attention to detail reveals itself with every pour, helping you enjoy the tea until the very last drop.

Related Contents

Riso Porcelain

Ceramics

CRAFT COMPANY

VOL.8

READ

Shinji Terauchi

Head of Riso Porcelain

CRAFT ARTIST

VOL.25

READ

RESOURCE

Ko-Imari
- Generic term
A generic term for porcelain produced during the Edo period (1603-1868), mainly in Arita, Hizen Province, or what is now Saga and Nagasaki Prefectures. The name “Imari-yaki” was derived from the fact that porcelain produced around Arita at that time was shipped from Imari Port. Many of the works have high historical and antique value.
White porcelain
- Generic term
A type of porcelain made from white porcelain stone. Transparent glaze are applied and fired at high temperature by reduction firing. Developed in China, this type of ceramic came into production in Japan after the discovery of porcelain stone containing kaolin in Izumiyama, Arita in 1616.
Rokuro (Potter's wheel)
- Technique
One of the tools for forming pottery by using centrifugal force from the rotating wheel to shape the clay. There are various types of potter’s wheels such as hand-operated wheel, kick wheel, and motor-driven wheel. The motor-driven wheel is the most popular as the rotation speed is easily adjustable by stepping on the pedal.

KOGEI STANDARD Japanese Crafts Online Media

KOGEI Topics

Featured Exhibitions & Events

New Products

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Exhibition • Event Report

Editor's Column "Craft Production Regions"

The Art of Appreciating Tea Bowls

Special Column “Toward the Revitalization of Wajima Lacquerware”

VOICE

KOGEI & Me

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

Nakagawa Masashichi Shoten Redefines “How Craft Should Conclude” – Launches Circular Craft Program Alongside B Corp Certification

The 9th “KOGEI Art Fair Kanazawa 2025” Will Be Held

“Atelier DENSAN” Opens Pop-Up Stores Featuring Traditional Craft Products in Three Cities Around the World

Japanese Craft Brand in Shizuoka “hounobi” Newly Launched Suruga Bamboo Basketry Products

Exhibition Information

Masaru Kawai – Pulver werk

Crafts and the Weather: Centered on Artists Associated with Ishikawa Prefecture

Nami Takahashi: Solo Exhibition “Undulating Contours”

Gaku NAKAZAWA: absence

Articles by Series

KOGEI Topics

Featured Exhibitions & Events

New Products

White Porcelain Handless Teapot

Today’s Old Imari

Guinomi Sake Cup (Seigaiha, Gourd, Hana-karakusa)

Shirahana Vase

Chu-kai Tea Caddy

White Karatsu Four-sided Tea Bowl

Riso Porcelain

Shinji Terauchi

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

Masaru Kawai – Pulver werk

Crafts and the Weather: Centered on Artists Associated with Ishikawa Prefecture

Nami Takahashi: Solo Exhibition “Undulating Contours”

Gaku NAKAZAWA: absence

Articles by Series

KOGEI Topics

Featured Exhibitions & Events

New Products

Today’s Old Imari

Riso Porcelain

Shinji Terauchi

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA