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Editor's Column "Craft Production Regions" VOL.4 AD

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
Apr 5 – Jun 22, 2025
SEIKADO BUNKO ART MUSEUM
Apr 19 – Nov 24, 2025
The Museum of Oriental Ceramics, Osaka
Apr 26 – Aug 3, 2025
Raku Museum
Apr 29 – May 6, 2025
KYUSHU CERAMIC MUSEUM
There is a dignified sense of calm tension in this “Ice Crackle Patterned Vase,” a creation of Takeshi Imaizumi, an artist who specializes in Tenmoku (black glazed tea bowls) and celadon ware. The thickly applied glaze shows through the smooth black clay, giving the piece a refined, glossy light black color. The delicate layers of intricate kan-nyu (crackle) give the piece a sense of infinite depth, so absorbing that I feel almost pulled in by its appearance. As the name “Ice Crackle Pattern” implies, the work presents a tranquil world of colorless colors, as if it has trapped a moment of ice cracking.
The aesthetic sense of celadon ware has certainly become more diverse over its long history. During the pursuit of the ultimate blue, a variety of colors were brought into being. It is no exaggeration to say that kan-nyu has become a recognized form of decorative expression, and one where the artist’s individuality is most evident, from the finest to the boldest of kan-nyu.
This work is one of those that suggests the possibility of diverse expressions. We cannot help but look forward to the future evolution of Takeshi’s work.