Plate of the Sun

Lacquerware

Craft Company: Taya Shikki

ORIGIN: Wajima, Ishikawa Prefecture
SIZE: Φ365 x H10 mm
MATERIAL: Wood, lacquer

The radiance of passion

From one craftsman’s hand to another, the long and time-consuming process of crafting lacquerware is the result of the passion of people diligently passing on Wajima’s proud craftsmanship from one generation to the next. The red-hot glow of the lacquer, applied layer by layer and polished with charcoal, will continue to illuminate our lives like a bright sun.

Related Contents

Taya Shikki

Lacquerware

CRAFT COMPANY

VOL.36

READ

INSIGHT

“Toward the Revitalization of Wajima Lacquerware”

Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1

On October 30, 2024, I visited the town of Wajima in the Noto region of Ishikawa Prefecture. This was my second visit since September of the previous year, but the town’s landscape had changed drastically since then. Upon arriving at the airport, I noticed that there were strange bumps all over the parking lot. The view from the car as I headed into the city was far more grim than I had imagined. ...

RESOURCE

Kawari-nuri
- Technique
A general term for techniques that take full advantage of the special characteristics of lacquer. It encompasses various techniques, such as repeatedly applying and polishing multiple coats of colored lacquer or utilizing the adhesive strength of lacquer. It is also called “Saya-nuri,” from the Edo period practice by which craftsmen created various types of elaborate sword sheaths using such kawari-nuri techniques.
Togi-dashi
- Technique
A technique of applying multiple layers of colored lacquer, each of which is carefully polished with charcoal to bring out the colors of the layers beneath them.
Wajima lacquerware
- Generic term
Generic name of lacquerware produced in Wajima City, Ishikawa Prefecture. Characterized by its robustness. The wood surface is reinforced with cloth and is coated with many layers of “Jinoko” which is the powder of calcined diatomaceous earth.

KOGEI STANDARD Japanese Crafts Online Media

New Products

Featured Exhibitions & Events

KOGEI Topics

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Exhibition • Event Report

Editor's Column "Craft Production Regions"

The Art of Appreciating Tea Bowls

Special Column “Toward the Revitalization of Wajima Lacquerware”

VOICE

KOGEI & Me

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

Mori Kougei Launched New Material Brand “TSUKIT”

“GO FOR KOGEI 2025” Will Be Held. This Year’s Theme Is “The Attributes of Kogei: How Can We Reframe Craft?”

The Exhibition “Blurred: Intersecting Boundaries” Fusing Traditional Techniques and Contemporary Art Will Be Held

“Time & Style New Products 2025” Time & Style Launched a New Collection in Japan

Exhibition Information

Lucie Rie: Elegant Vessels Fusing East and West

Blurred: Intersecting Boundaries

The 100th Anniversary of Mingei: Kyoto's Legacy of Everyday Life

Commemorating the Succession: Shinbei Sakakura XVI Exhibition

Articles by Series

New Products

Featured Exhibitions & Events

KOGEI Topics

Plate of the Sun

The radiance of passion

Daen-ju (Oval Layered Box)

Rectangular Layered Box, Vermilion

Uneri54: Sake Server and Hexagonal Sake Cup, Tame

Nine Small Pieces of Chocolate Bonbonniere

Taya Shikki

“Toward the Revitalization of Wajima Lacquerware”

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

Lucie Rie: Elegant Vessels Fusing East and West

Blurred: Intersecting Boundaries

The 100th Anniversary of Mingei: Kyoto's Legacy of Everyday Life

Commemorating the Succession: Shinbei Sakakura XVI Exhibition

Articles by Series

New Products

Featured Exhibitions & Events

KOGEI Topics

The radiance of passion

Taya Shikki

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA