The International Interior and Design Trade Show “Maison&Objet” Will Be Held in Paris in January 2025
Featured Exhibitions & Events VOL.42
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.42
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
Jan 4 – Jan 26, 2025
gallery yamahon
Jan 7 – Apr 20, 2025
Raku Museum
Jan 11 – Jan 19, 2025
Gallery Labo
Jan 15 – Jan 20, 2025
Nihonbashi Mitsukoshi
A clear, unclouded white. Many people may be surprised to learn that this work is Bizen ware. This piece, which vividly betrays the image that first comes to mind when one hears the word “Bizen,” is a “Shiro-Bizen” (literally, “White Bizen”) tea bowl that ceramic artist Syo Fujita has been developing in recent years.
The various yohen effects that manifest on works during firing are a highlight of Bizen ware, but White Bizen is known to have been produced since the Edo period (1603-1868). Older pieces that have survived are rare, and the texture of white varies from artist to artist, even among contemporary pieces. Syo uses only the purest ceramic stone mined from deep underground in Mitsuishi in Bizen, and fires them unglazed in a wood-fired kiln to create a dazzling white scene unparalleled in the world. The sharply carved shapes, which resemble snow-capped mountain ranges, further enhance the graceful charm of the white clay.
There is no compromise in the pursuit of expressions that make Bizen clay look its most beautiful. When the unlimited potential of clay meets the creativity of the artist, works that transcend existing concepts are sure to be born.