Incense Burner with a Peacock

Metalwork

Craft Company: Yotsukawa Seisakusho

ORIGIN: Takaoka, Toyama Prefecture
SIZE: W160 × H210 × D145mm
MATERIAL: Copper, Gold, Silver

Eternal beauty rising in the modern age

Since ancient times, the peacock has been revered as a symbol of wealth and prosperity. This bronze incense burner, with its graceful appearance and splendid, regal design, is a masterpiece of Takaoka casting technique. Its timeless, majestic beauty has been beloved across the years.

Related Contents

Yotsukawa Seisakusho

Metalwork

CRAFT COMPANY

VOL.33

READ

INSIGHT

Motomasa & Susumu Yotsukawa

KOGEI & Me VOL.30

Brothers Motomasa and Susumu Yotsukawa are the president and senior managing director, respectively, of Yotsukawa Seishakusho, a company engaged in product design and sales of Takaoka copperware. Motomasa joined the company shortly after graduating from university. Susumu rediscovered the appeal of his family business and its craftsmanship after working in the United States for another company, an...

RESOURCE

Takaoka copperware
- Generic term
Generic name of copperware made in Takaoka City, Toyama Prefecture. Takaoka is renown as the largest production area of copperware in Japan, accounting for over 90% of domestic production.
Chukin (Metal casting)
- Generic term
- Technique
A technique to make metalworks by pouring molten metal into a mold, or igata in Japanese and extracting it after it is cooled. The technique makes it possible to form metal freely, which otherwise is a difficult material to process. A product made by this casting method is called imono. This method also allows for mass production. Once the mold of a prototype is made it is then possible to make multiples of the product.

KOGEI STANDARD Japanese Crafts Online Media

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Featured Exhibitions & Events

New Products

KOGEI Topics

Exhibition • Event Report

Editor's Column "Craft Production Regions"

The Art of Appreciating Tea Bowls

Special Column “Toward the Revitalization of Wajima Lacquerware”

VOICE

KOGEI & Me

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

Japanese Luxury

“Craft Competition in Takaoka, Tokyo Exhibition” Will Be Held in Marunouchi

Nishijin-ori Jewelry Is Launched from Craft Jewelry Brand “YURAI”

Nakagawa Masashichi Shoten Redefines “How Craft Should Conclude” – Launches Circular Craft Program Alongside B Corp Certification

Exhibition Information

Modern Tea Ware: Water Jar and Tea Bowl Exhibition 15–III

Abstract Beauty and Soetsu Yanagi

Birds, Beasts & Beyond: Living Beings in Old Imari

Mikawachi Ware: Tsutomu Nakazato Exhibition

Articles by Series

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Featured Exhibitions & Events

New Products

Incense Burner with a Peacock

Eternal beauty rising in the modern age

Sand Iron Sliver Ashiya Dragon Round Kettle

Kettle, Metallic Silver

Iron Kettle – Ashiya Dragon with Silver Inlay

Sake Pitcher - L & Sake Cups

Yotsukawa Seisakusho

Motomasa & Susumu Yotsukawa

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

Modern Tea Ware: Water Jar and Tea Bowl Exhibition 15–III

Abstract Beauty and Soetsu Yanagi

Birds, Beasts & Beyond: Living Beings in Old Imari

Mikawachi Ware: Tsutomu Nakazato Exhibition

Articles by Series

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

Featured Exhibitions & Events

New Products

Eternal beauty rising in the modern age

Yotsukawa Seisakusho

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA