The Grand Opening of the “Bizen City Museum of Art”
KOGEI Topics VOL.21

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.21
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.3
KOGEI Topics VOL.20
New Products VOL.19
Tokyo
Aug 1 – Aug 20, 2025
WAKO B1F ARTS & CULTURE
Aug 9 – Dec 21, 2025
Raku Museum
Aug 13 – Aug 18, 2025
Nihonbashi Takashimaya
Aug 16 – Aug 31, 2025
GALLERY crossing
In Saga Prefecture, there are many artists who produce ceramic outside the well-known regions of Arita and Karatsu. Not far from Arita, ceramic artist Hideki Yamamoto has been sincerely engaging with clay for many years, and has established his own kiln, named “Kankosui” in reference to a genuine practitioner of Zen, within the magnificent nature of Kurokami-yama Mountain.
Hideki specializes in gen-yu or black glaze, wherein flecks of gold and silver glint from within deep black, but he also uses a variety of other techniques such as Mishima and Hakeme as his own. This work, fired with a thin layer of glossy devitrified glaze on white slip, has a beautifully fresh and clear white color and seems to be filled with moisture. The shading of the richly applied white slip, the black iron powder that appears in places, and the delicate kan-nyu or crackles that cover the surface are just a few of the many highlights of this work.
Although originally used to hold sake, the heishi bottle is also good for arranging flowers or for simply admiring within one’s daily life. This is a work that makes you want to watch the changes brought about by time, and you can deeply feel the unique flavor of this Kohiki style.