Shinchosha Fully Opens “Soko”: A New Art and Craft Gallery Hub
KOGEI Topics VOL.29

VOL.1-29
Update
VOL.1-8
Update
VOL.1-53
Update
VOL.1-26
Update
VOL.1
Update
VOL.1-4
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.29
KOGEI Topics VOL.28
VOICE VOL.8
Featured Exhibitions & Events VOL.53
Apr 3 – Apr 15, 2026
HULS GALLERY TOKYO
Apr 7 – Jun 14, 2026
SEIKADO BUNKO ART MUSEUM
Apr 8 – Apr 14, 2026
Nihonbashi Mitsukoshi
Apr 9 – Apr 21, 2026
Kyoto yamahon
A piece of ancient zelkova wood, weathered by wind and rain for 350 years. Its surface has aged into a silvery soot-like tone, carrying a quiet solemnity. Yet just a few millimeters beneath the cut surface, a fresh layer of wood appears, what the artist describes as “the life of the tree still remaining.”
This work brings into coexistence the dry, timeworn texture shaped over centuries and the newly revealed, vibrant surface exposed at the moment of cutting. It is, in essence, a visualization of time itself. Through these six small cubes, woodworker Masaru Kawai poses a fundamental question: What is craft? What emerges here is a profound reverence for wood as a material, beyond form or function. His gaze is always directed toward the depths of the forest where the material once grew, toward the quiet the rhythms of nature.
The dry, coarse surface of aged wood and the moist vitality of the exposed cross section. Through this striking contrast, the viewer is invited into the deeper layers of the artist’s thinking, an experience that quietly stirs curiosity.

