Report on “The Future of Artisanal Beauty: Vessels, Wrappings, Decorations”
Exhibition • Event Report VOL.26
VOL.1-26
Update
VOL.1-39
Update
VOL.1
Update
VOL.1-6
Update
VOL.1-15
Update
VOL.1
Update
VOL.1-12
Update
VOL.1-13
Update
VOL.1-31
Update
VOL.1-3
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Exhibition • Event Report VOL.26
Featured Exhibitions & Events VOL.39
Featured Exhibitions & Events VOL.38
Featured Exhibitions & Events VOL.37
Oct 10 – Oct 20, 2024
Seiko House Hall
Oct 12 – Oct 19, 2024
Gallery & Chanoyu RIGAN
Oct 12 – Oct 20, 2024
Daikanyama Gallery
Oct 12 – Oct 27, 2024
GALLERY IDF
Ikuko’s technique, as she says, “brings out the beauty of the glass itself,” suggesting new possibilities for cut glass that transcend the boundaries of Edo kiriko and Satsuma kiriko. The “Flowing Blue” Cut Glass Bowl, which stands out with its distinctive boat-like shape, is another work that captures Ikuko’s creative perspective. Created using blown glass by Shinichi Shimamura, a glass artist at the Atsugi Glass Studio with whom Ikuko frequently collaborates, this piece features an exceedingly simple cut design that eliminates any excess, thereby accentuating the inherent beauty of the glass itself.
Incorporating various colored glass into her creations is one of Ikuko’s distinctive styles. The serene hues of “ao-midori” (blue-green) and “ai” (indigo) that Ikuko often prefers to use harmonize well with living spaces. The deep blue of “ruri,” which along with “kin-aka” (gold-red) is a traditional Edo kiriko color, exudes in its vividness an indescribable sense of luxury. Additionally, there are a variety of glass colors such as “kin-murasaki” (gold-purple), black, opal, and amber, providing viewers a with refreshing visual delight.
When asked about the process of creating her works, Ikuko explained, “I draw designs directly on the glass, and refine the preliminary sketch by repeatedly erasing and redrawing while maintaining balance. Even after I start cutting, I feel like the image gradually takes shape as I create.” She names her works after they are completed, striving for titles that convey the image clearly yet avoid being clumsy, but laughs that doing so is surprisingly challenging. Her genuine and calm personality captivates many people, along with the creations of her hands.
Written by Kyoko Tsutsumi
Related information
Nihonbashi Mitsukoshi Main Store
Main Building 6F Art Gallery
https://www.mistore.jp/store/nihombashi/shops/art/art.html
1-4-1, Nihonbashimuromachi, Chuo-ku, Tokyo, 103-8001, JAPAN
TEL: +81-3-3241-3311
Open: 10:00 a.m. – 7:00 p.m.