GO FOR KOGEI to Present an Exhibition Concurrent with La Biennale di Venezia
Featured Exhibitions & Events VOL.54

VOL.1-54
Update
VOL.1-29
Update
VOL.1-8
Update
VOL.1-26
Update
VOL.1
Update
VOL.1-4
Update
VOL.1-27
Update
VOL.1-4
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-32
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.54
KOGEI Topics VOL.29
KOGEI Topics VOL.28
VOICE VOL.8
Tokyo
Apr 15 – Apr 20, 2026
Nihonbashi Mitsukoshi
Apr 17 – Apr 28, 2026
Tosei Kyoto Gallery
Apr 18 – Apr 26, 2026
Gallery & Chanoyu RIGAN
Apr 18 – Apr 26, 2026
TOBETOBEKUSA
Glossy black, withered black. Roughness and subtle patterns. The many different textures that appear on a single board filled with black illustrate the depths of this profound color.
“Untitled” by Akihiko Sugita was created by covering the base wood with linen and then applying black lacquer overtop it. The linen is used in a traditional lacquer art technique called “kanshitsu”, (literally, “dry lacquer”). The wrinkles and patterns of the linen cloth give the piece its unique texture as mentioned above. Based on the assured techniques nourished by tradition, this work boasts a high degree of artistry and sophistication in a single work.
Having been apprenticed in Wajima, a major lacquerware region in Ishikawa Prefecture, Akihiko is particularly adept at capturing the subdued colors and atmosphere found in old objects. At the same time, his works have the quality to blend into modern spaces without feeling out of place. His works, which embody the concept of old saying “Onko-chishin”, or “Find a guide to tomorrow by taking lessons from the past,” will surely play a role in the creation of rich living spaces.

