The Publication of “Discover, Acquire, Enjoy – The Excellent Sake Ware”: A Special Issue of the Quarterly Journal “Honoho Geijutsu” or “The Art of Fire”
KOGEI Topics VOL.26

VOL.1-26
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VOL.1-52
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VOL.1-4
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VOL.1-23
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VOL.1-27
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VOL.1-4
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VOL.1-3
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.26
Featured Exhibitions & Events VOL.52
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.4
Featured Exhibitions & Events VOL.51
Jan 6 – Mar 10, 2026
The Japan Folk Crafts Museum
Jan 31 – Mar 15, 2026
Museum of Modern Ceramic Art, Gifu
Feb 7 – May 24, 2026
TOYOTA CITY FOLK CRAFT MUSEUM
Feb 14 – Mar 15, 2026
Fukui Fine Arts Museum
The scarlet color of the thoroughly burnished clay, the green of the glossy vidro glaze suspended as if it flies around freely, and the dark gray and brown of the mouth are just a few of the many fascinating features of this “Iga Handled Flower Vase” created by Kai Tsujimura, a ceramic artist working in Nara Prefecture. In addition to the clear, multi-layered stripes and bold hera-me marks left throughout the piece by the modeling tool, the neck of the vase is tightened in a koji-guchi style mouth puffed up like a citron with a pair of small “ears,” or handles, which are often seen as a characteristic of Iga ware and give this piece its “handled” name. The artistry with which the decorative and powerful qualities characteristic of Iga ware are combined into a beautifully harmonious appearance with a unique sensibility is nothing short of magnificent.
Kai, a ceramic artist who challenges himself against various types of pottery and produces diverse works, has developed solid skills honed through daily engagement with ceramics making. Looking at this work, one cannot help but marvel at the fresh and vivid expressiveness that is revealed through the simple creative act of shaping and firing clay.

