Hitoshi Morimoto Solo Exhibition
Exhibition • Event Report VOL.19
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Exhibition • Event Report VOL.19
Editor's Column “The Path of Japanese Crafts” VOL.6
Featured Exhibitions & Events VOL.23
Editor's Column “The Path of Japanese Crafts” VOL.5
Hokkaido
Apr 16 – Apr 22, 2024
Sapporo Mitsukoshi
Apr 17 – Apr 22, 2024
Nihonbashi Mitsukoshi
Apr 17 – Jun 30, 2024
TOGURI MUSEUM OF ART
Apr 18 – Jun 16, 2024
Mitsui Memorial Museum
The beauty of Kogei in everyday life. We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI & Me VOL.30
Brothers Motomasa and Susumu Yotsukawa are the president and senior managing director, respectively, of Yotsukawa Seishakusho, a company engaged in product design and sales of Takaoka copperware. Motomasa joined the company shortly after graduating from university. Susumu rediscovered the appeal of his family business and its craftsmanship after working in the United States for another company, an...
Featured Exhibitions & Events VOL.2
HULS Inc. will release a new item, “Hydrangea – Water Vessel (L)” on 8th August (Sat).KORAI proposes “senseware” as an art piece that triggers human sensitivity and opens the door to new senses by feeling nature in our daily living. The large-sized “Hydrangea – Water Vessel (L)” has been added to the “Hydrangea – Water Vessel” series that was released as part of KORAI’s first senseware collection ...
KOGEI & Me VOL.29
Shuji Hataishi represents the fifth generation of the Imari Nabeshima ware company, Hataman Touen, and an active artist. As the eldest of three siblings, he was born and raised in Imari Okawachiyama in Saga Prefecture. He studied at the University of Art and Design in Tokyo (Tokyo Zokei University), majoring in sculpture. He loved to work with a pitch black stone called kuro-mikage (black granite)...
KOGEI & Me VOL.28
Mix the paint and apply it on the woodblock. Place the Japanese washi (paper) carefully on the block and use the baren (a flat pad) to rub the washi. After these processes and with bated breath, Mr. Noriyasu Soda quickly pulls the washi off from the wood block, on which a beautiful color with deep perspectives appears. “Although it is just transferring colors onto paper, depending on the artisan’s...
KOGEI & Me VOL.27
Mr. Koji Orii is the founder of “Momentum Factory Orii, Co.,Ltd.”, which deals with a wide range of coloring of Takaoka copperware. Born and raised in Takoka City in Toyama Prefecture, he is the third generation of a long-established “Orii-chakushokujyo (coloring factory). After graduating from university, he worked hard and had a fulfilling career in an IT company in Tokyo. Howe...
Editor's Note VOL.1
To celebrate the renewal of KOGEI STANDARD, I had an interview with Ms. Noriko Tsuiki, a textile artist of Kokura-ori.I met with Ms. Tsuiki in 2015. It started from the encounter with the textile brand “KOKURA SHIMA SHIMA”, which Ms. Tsuiki herself is the creative director. I first encountered the beautiful vertical stripe fabric in “Interior Lifestyle”, an international trade fa...
VOICE VOL.1
Q1:What kind of encounter did you have with Kokura-ori?I did not graduate from an art university and my family business was not related to Kogei, so, my approach was rather different. I like literature since my childhood and when I was a university student, I was attracted by early modern Japanese theater styles and started to learn about Zeami (Noh actor). Subsequently, I started studying weaving...
KOGEI & Me VOL.26
Mr. Seiji Ito, a teapot artisan in Tokoname, entered the world of pottery at the age of 20 and initially was engaged mainly in making teacups. When the growth momentum of the high economic growth period began to slow down, he steered towards the production and sales of teapots which has a higher added value and more difficult to create compared with teacups. “A teapot in the world of tea is like t...
KOGEI & Me VOL.25
Eifu Kawamata is the 4th generation of “Okeei” who inherited the manufacturing of the Edo wooden tub since the Meiji era. He did not aspire to become an artisan when he was a child, but he started to have an interest in art and the Japanese culture during his university days. After graduating from university, he worked in the usual corporation, but in 1985 he started to walk the path of an artisan...
KOGEI & Me VOL.24
Ms. Eiko Tanaka, a woodworking artisan was born in the city of Anjo, Aichi Prefecture. During her childhood days, she was attracted by handicraft and was good with her hands such as doing crafts and sewing. Influenced by her parents who liked art appreciation, she found herself absorbed in the coloration of Japanese traditional lacquer which are “red, black and gold” and wanted to lear...
KOGEI & Me VOL.23
Yasuko Kamochi and Yumiko Tanaka are in charge of “etsuke” (decorative painting) at Fukujugama in Arita, Saga Prefecture. Even in Arita, which is the famed historical area of porcelain, there are few artisans specializing in etsuke at the present time. Yasuko joined Fukujugama because her sister worked there too. At that time, Arita ware was in high demand. Etsuke is a finely divided work where ea...
KOGEI & Me VOL.22
Takeyoshi Mitsui is from Hiroshima Prefecture. He likes drawing and craft class and physical education since he was a child. From his interest in manufacturing, he majored in crafts in university where he developed an interest in glass making which he felt was the most complicated and difficult to produce. Subsequently, he found a job in a glass studio in Toyama Prefecture. He was able to create h...
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Things that I noticed and feltvisiting the region of production, breathing the local airseeing the same scenery as the craftsmen.
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From Japan to the world.Awareness through Kogei.
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Passing on the feelings of craftspeople towards their crafts.Along with the best piece to cherish for life.
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This column introduces various craft production regions around Japan.
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