Shitsurindo and ZOZO NEXT Launched Collaborative Research on New Lacquer Techniques
KOGEI Topics VOL.19

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
KOGEI Topics VOL.18
Aug 9 – Dec 21, 2025
Raku Museum
Aug 16 – Aug 31, 2025
GALLERY crossing
Kyoto
Aug 22 – Sep 3, 2025
Kyoto yamahon
Aug 23 – Aug 31, 2025
Utsuwaya Ryoisseki
The beauty of Kogei in everyday life. We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Featured Exhibitions & Events VOL.38
The event “Utsuwa no Aki (Pottery in Fall),” where you can experience the culture of Hagi ware, will be held again this fall in Nagato Yumoto Onsen, Yamaguchi Prefecture. Eight artists from all five Fukawa-Hagi kilns will participate in the event. This year’s theme is “Irotori,” named after the vibrant colors of the beautiful season when the leaves change. The event will feature an array of Hagi w...
Featured Exhibitions & Events VOL.37
“GO FOR KOGEI,” an initiative that aims to promote the charm of crafts from the Hokuriku region, will celebrate its fifth edition this year. The event will be held from September 14 to October 20, 2024, in the Iwase area (Toyama, Toyama Prefecture) and the Higashiyama area (Kanazawa, Ishikawa Prefecture). Yuji Akimoto, who has been the executive director and curator since 2021, will continue in hi...
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.1
Throughout this series, we have introduced the traditional Japanese aesthetics crucial to conveying the allure of kogei or Japanese crafts. Moving forward, to contemplate the future path of Japanese crafts, we will reconsider the value of crafts in light of global social issues and questions. First, I would like to explore the concept of fudo, which is deeply intertwined with the origins of Japane...
VOICE VOL.6
How did you come to bamboo as a material, and what is its appeal?I have always loved the tea ceremony, a culture with a uniquely Japanese spirituality. The tea ceremony utilizes meticulously crafted tools to offer a hospitality that embodies the spirit of “ichi-go ichi-e,” or a once-in-a-lifetime encounter. One of the reasons I chose bamboo was my awareness of environmental issues. Growing up in t...
KOGEI Topics VOL.15
Tsugaru lacquerware, a traditional craft of Aomori Prefecture, is known for its painstakingly thorough process of applying and polishing lacquer repeatedly, earning it the nickname “baka-nuri” (foolish coating). The film “Tsugaru Lacquer Girl” explores human relationships through the lens of Tsugaru lacquerware, set in Hirosaki City, Aomori Prefecture. The protagonist, Miyako, works ai...
KOGEI Topics VOL.14
Shitsurindo, a manufacturer based in the Kawada area of Sabae, Fukui Prefecture, one of Japan’s leading lacquerware production areas, has been engaged in the production and sale of Echizen lacquerware. Founded in 1793, the company has a long history and in 2023, the 230th anniversary of its founding, was certified as a purveyor to Daihonzan Eiheiji temple, which is also located in Echizen. In addi...
The Art of Appreciating Tea Bowls VOL.1
The sound of the tea whisk ceases, and a bowl of tea is placed before you by the host. The steam softly rising from the bowl, the faint aroma of matcha powdered green tea wafting through your nose. In the serene moment before taking a sip, there is always a tea bowl between the host and the guest.Sen no Rikyu, who established the art of the tea ceremony, taught the principles of “Wa, Kei, Se...
Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense VOL.12
This phrase “mono no aware” represents an aesthetic ideal proposed by Motoori Norinaga, a scholar of classical Japanese literature in the late Edo period (1603-1868), which is considered crucial for understanding the court literature of the Heian period (794-1185). “Mono no aware,” literally “the pathos of things” but also translated as “an empathy toward things,” encapsulates the profound emotion...
Featured Exhibitions & Events VOL.36
The “Art Kogei, from Japan to the World Executive Committee” will host the Special Exhibition “The Future of Artisanal Beauty: Vessels, Wrappings, Decorations.” The first exhibition will be held from July 4 to 16, 2024 at TERRADA ART COMPLEX II BONDED GALLERY by Warehouse TERRADA, which leads art projects based in Tennoz, Tokyo. The second exhibition is scheduled from November 3 to 5, 2024 at Kenn...
Exhibition • Event Report VOL.25
From April 20 to 25, 2024 an exhibition of ceramic artist Kenta Nakazato’s works was held at Kakiden Gallery in Shinjuku, Tokyo.This marked the second time for Kenta to hold a solo exhibition at this gallery, following his debut solo show there in April the previous year. That 2023 event was also his first solo exhibition in Tokyo, and since then he has steadily expanded his presence through...
Featured Exhibitions & Events VOL.35
The LOEWE FOUNDATION Craft Prize, launched in 2016 by LOEWE Creative Director Jonathan Anderson, is an international annual award that recognizes the importance of craft in today’s culture and honors working artisans whose talent, vision and innovation set standards for the future. This year, the LOEWE FOUNDATION announced the 30 finalists for the seventh edition of the Craft Prize. The finalists’...
New Products VOL.13
Maruhiro Inc. has released the “Enceladus Sobachoko” under its own brand “BARBAR” on March 22, 2024. Maruhiro is a ceramic manufacturer that produces tableware and interior items of Hasami ware, a traditional craft of Nagasaki Prefecture. Hasami ware is manufactured under a division of labor, with each production process being operated by different companies. Maruhiro acts as a producer that reque...
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This column introduces various craft production regions around Japan.
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From Japan to the world.Awareness through Kogei.
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Passing on the feelings of craftspeople towards their crafts.Along with the best piece to cherish for life.
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Things that I noticed and feltvisiting the region of production, breathing the local airseeing the same scenery as the craftsmen.
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